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Audio Interfaces

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  • RME OctaMic XTC 8 Channel Digital Microphone Preamp

    RME OctaMic XTC 8 Channel Digital Microphone Preamp

    The OctaMicXTC from RME is a professional 8-channel digital microphone preamp and USB 2.0 interface that features recording up to 192 kHz, offers AES/EBU and ADAT digital I/O, and supports the powerful MADI multi-channel audio protocol.
    The OctaMic XTC is equipped with one MADI optical port that provides up to 64 channels of MADI I/O at 48 kHz. It also boasts eight balanced XLR/TRS mic/line inputs. Four of these inputs feature a pad for recording loud sound sources, and the other four can be switched to accept direct Hi-Z input from electric guitars and basses. Each of the eight inputs are fitted with a high-quality digitally controlled preamp.
    Furthermore, the unit features a D-sub 25 connector that provides four AES/EBU inputs and four AES/EBU outputs. It also has one optical ADAT input and two ADAT outputs, each of which are capable of carrying eight channels of digital audio a piece.
    The OctaMic XTC also provides ample MIDI connectivity, equipped with two 5-pin DIN standard MIDI I/O connectors, plus it allows for two sets of MIDI I/O to be transmitted over USB and an additional set over the optical MADI port.

    Features : -

    • All analog and digital inputs, including up to 64 MADI channels and 8 AES/EBU audio channels, can be freely patched to any output. Up to 24 channels can be carried over the USB 2.0 port
    • Two unbalanced hi-power stereo headphone outputs that can also operate as line outputs with use of TRS to RCA phono cable, or TRS plug to TS cable
    • Switchable +48V phantom power per channel
    • Full color TFT display
    • BNC word clock I/O
    Learn More
  • Roland UA-1010 Octa-Capture USB 2.0 Recording Interface with 8 Mic Preamps and DSP for Cue Mixing

    Combining ten inputs, ten outputs, and eight VS Preamps with transparent 24-bit/192 kHz audio quality, the Roland Octa-Capture sets a new standard for portable USB 2.0 audio interfaces. High-level audio production comes easy with this fusion of premium components, Roland-quality engineering, and proprietary preamp and streaming technology. Octa-Capture is not only the perfect interface for multi-channel computer-based production, but also a great solution for expanding the I/O capability of the V-Studio 700 and V-Studio 100. Brimming with quality and performance seldom seen in its price range, Octa-Capture is the next-generation audio interface. Learn More
  • Audient iD22 USB Audio Interface

    Audient iD22 USB Audio Interface

    The Audient iD22 gives you two classic Audient microphone preamplifiers, pristine AD/DA converters, and user-defined console-style monitor controller functionality - in an elegant, all-metal package that'll class up your studio. The iD22 delivers impeccable detail and stunning dimensionality whether you're tracking or mixing. It sports flexible I/O, USB2.0 connectivity, and is expandable via ADAT - ideal for partnering with Audient's ASP880 for ten-channel recording. If your music-creation setup is DAW-based, you'll really appreciate the major sonic and ergonomic benefits you get from the Audient iD22.

    Features :-

    • 2-in/6-out high-performance 24-bit/96kHz AD/DA converters
    • Two superb Class A mic preamplifiers
    • One discrete JFET instrument input
    • Fully balanced insert points for integrating outboard gear
    • High-current headphone amplifier fed by an independant DAC
    • Main and alt stereo outputs
    • 8-channel ADAT I/O
    • User-defined console-style monitoring functionality with hardware control
    • Class-compliant USB2.0 connectivity with integrated DSP mixer
    • +48V phantom power for your condenser mics; -10dB pads
    • Plug-and-play CoreAudio Mac OSX operation
    • Phase reversal and low-end rolloff per channel
    Learn More
  • Audient iD14 High Performance USB Audio Interface

    Audient iD14 High Performance USB Audio Interface

    The Audient iD14 is a compact desktop audio interface that gives you the superior audio performance normally associated with a large-format console. The iD14 sports two of Audient's excellent Class A mic preamps, class-leading Burr-Brown converter technology, console-style monitor control, and a JFET direct input. Also onboard is Audient's ScrollControl mode, which gives you quick and easy control over compatible parameters within your DAW. And with its 8-channel ADAT input bumping your input capabilities up to ten channels, the iD14 is ready for your future studio expansion.

    Audient mic pres and Burr-Brown converters onboard

    The iD14 features a pair of Audient's acclaimed Class A console mic preamps - and believe us, they sound amazing. For the best possible conversion, you also get integral ADC with high-grade converters from Burr-Brown, a leader in converter technology. The result is stunningly transparent sound, with just a taste of coloration. It's the ideal prescription for lackluster studio sound.

    Learn More
  • Audient iD4 USB Audio Interface

    Audient iD4 USB Audio Interface

    iD4 delivers the audio performance of a large format console in a portable desktop package enabling you to record your vocals and guitar simultaneously. Providing one renowned Audient console mic pre, class-leading converter technology, dual headphone outputs, console style monitor control, JFET D.I and our virtual scroll wheel technology 'ScrollControl', iD4 is a professional but affordable solution for your home studio or for when you’re on the road.

    Big-console Performance, Tiny Footprint

    Packing large-format console performance into a petite desktop chassis, the Audient iD4 audio interface fortifies your studio with one of Audient's renowned Class A console mic preamps, a discrete JFET DI, class-leading conversion technology, two headphone jacks, and console-style monitoring control. Also onboard is the company's intuitive ScrollControl virtual scroll wheel that lets you use the iD4's big volume knob to tweak your DAW and plug-in parameters and even scroll your iTunes library. Simply press the knob to dim the monitors. The Audient iD4 is a serious upgrade for any personal project studio or mobile rig.


    • 1 Audient Class A console mic preamplifier
    • 1 discrete JFET instrument input
    • High-performance converters
    • iD ScrollControl mode:Lets you use the iD4's big volume knob to tweak DAW/plug-in parameters
    • Zero-latency monitoring with monitor mix and pan
    • Left and Right 1/4" TRS main speaker outputs
    • 2 independent Class AB headphone outputs
    • Monitor Control functionality
    • USB 2.0 bus powered
    • 24-bit/96kHz audio quality
    • Rugged, attractive, all-metal chassis
    • OS compatibility: macOS, iOS, and Windows
    Learn More
  • RME Fireface UFX+ USB 3.0 and Thunderbolt Audio

    RME Fireface UFX+ USB 3.0 and Thunderbolt Audio

    The Fireface UFX+ becomes the center of any multitrack studio because it is able to handle up to 94 channels I/O with ease. With unprecedented flexibility, compatibility, the inclusion of DURec (Direct USB Recording) and RME’s famous low latency hardware and driver designs, the Fireface UFX+ raises the bar to new heights.

    Packed with features not found on its older sibling, including MADI I/O (188 channels of I/O, 128 channels more than the Fireface UFX), a more powerful DSP, USB 3.0, Thunderbolt™ technology, and a new optional remote control firmly places the RME Fireface UFX+ as the new reference in multitrack recording, mixing and monitoring.

    Features : -

    • 94 Input / 94 Output channels
    • 12 x Analog I/O
    • 4 x Mic/Instrument Preamp, digitally controlled
    • 1 x AES/EBU I/O
    • 2 x ADAT I/O (or 1 x ADAT I/O plus 1 x SPDIF I/O optical)
    • 1 x Word Clock I/O / MADI Coaxial
    • 1 x MADI optical I/O
    • 2 x MIDI I/O
    • 1 x Thunderbolt™ connectivity
    • 1 x USB 3.0
    • TotalMix FX
    • optional: Advanced Remote Control USB
    Learn More

    Out of stock

  • RME UFX2 Fireface UFX II 60-Channel USB 2.0 Audio Interface

    RME UFX2 Fireface UFX II 60-Channel USB 2.0 Audio Interface

    The unique Fireface UFX II is the premier solution to transfer analog and digital audio data directly to a computer from practically any source.USB audio interface comes loaded with premium sound and ample I/O. Top-shelf AD/DA converters, optimized analog circuits, and impressive SNR deliver crystal clear, transparent audio. Incorporate the Fireface UFX II into any production environment, thanks to analog, ADAT, AES, S/PDIF, and USB 2 connectivity. Four pad-free mic circuits yield +18dBu of maximum input level and 75dB of gain to deliver excellent quality in any recording situation. Experience superior monitoring through the Fireface UFX II's low impedance, high power headphone outputs. And capture audio directly to a thumb drive, courtesy of the Fireface UFX II's DURec port.With the RME Fireface UFX II, your search is over.

    The RME Fireface UFX II can handle any audio task that you may encounter, by virtue of its extensive connectivity. Its impressive 60 channels of I/O include 12 analog channels, 16 channels of ADAT, and two channels of AES. Four redesigned pad-free mic preamps deliver +18dB of input level and 75dB of gain. Low impedance Hi-Power headphone outputs serve up a +19dBu maximum output level, injecting it with more than enough output power for any set of headphones, high or low impedance.

    Conveniently located on the front of the RME Fireface UFX II is a DURec port. This port enables direct recording and playback of 60 channels of audio to an external thumb drive. RME's second-generation hardware delivers improved performance, so you enjoy greater reliability — even with slow or multi-partitioned flash drives. Create time-stamped files, courtesy of an internal real-time clock, and enjoy advanced playback functions.

    The Fireface UFX II provides you with incredible control over inputs, outputs, mix levels, and more, thanks to RME's TotalMix FX software mixer. Not only do you have unlimited routing of inputs and outputs, you can also split and distribute signals to multiple outputs at a time. TotalMix FX is loaded with effects.TotalMix FX to create latency-free monitor mixes with EQ, dynamics, reverb, and delay. You also have peak and RMS level metering, which is crucial for managing the gain levels of large numbers of tracks. And the TotalMix FX app for iPad adds full remote control over the Fireface UFX II's hardware mixer and DSP effects. You can even create, store, and load complete mixes directly from your iPad!

    RME's ARC USB remote (sold separately) connects to your computer via USB and provides you with direct control over the Fireface UFX II. The ARC USB fits conveniently on your desktop and has 15 freely assignable and illuminated buttons, one encoder wheel, and a footswitch jack. ARC USB is completely plug and play. As soon as you connect it, TotalMix FX will detect it.


    • 30-in/30-out USB audio interface
    • DURec port captures audio directly to a thumb drive
    • Integrates with RME’s optional ARC USB remote controller
    • 4 pad-free mic circuits yield +18dBu of maximum input level and 75dB of gain
    • Low impedance, high power headphone outputs provide superior monitoring
    • Analog, ADAT, AES, S/PDIF, and USB 2 connectivity integrates into any production environment
    • Top-shelf AD/DA converters, optimized analog circuits, and impressive SNR deliver crystal clear, transparent audio
    Learn More

    Out of stock

  • RME Fireface UCX 36-Channel USB 2.0 Audio Interface

    RME Fireface UCX 36-Channel USB 2.0 Audio Interface

    The Fireface UCX from RME is a USB/FireWire digital audio interface that provides thirty-six channels of audio (eighteen inputs and outputs) with all channels available simultaneously. It features two, low distortion, digitally controlled microphone preamps with up to 65 dB of gain, excellent signal to noise ratio, and a flat frequency response. Each channel can be individually switched to deliver 48V phantom power.
    Two front panel TRS inputs can operate as Hi-Z inputs for plugging in up to two guitars or other instruments with no other hardware required. LEDs for signal, clip, and activated phantom power give a complete overview of the unit's status. AutoSet allows for digitally controlling the gain in the event of impending overload to prevent clipping the A/D converter, while simultaneously not degrading sound quality that would occur if using additional analog circuitry.
    The included DSP-based TotalMix software mixer supports full independent routing and mixing of all eighteen inputs and output channels to all eighteen physical outputs. Up to nine independent stereo sub-mixes, plus a comprehensive control room section, offer excellent monitoring capabilities and routing flexibility. The software includes a complete effects engine with all effects available at all sample rates.
    The per channel effects include three-band parametric EQ, adjustable low cut filter, auto level, compressor, expander, MS processing and phase reversal. Reverb and echo effects are available for all channels via a stereo send and return bus. The effects section not only adds a lot of flexibility to the recording chain, but makes latency burdened recording obsolete. The main functions of TotalMix can be remote controlled via MIDI with any Mackie Control compatible controller.

    Features : -

    • Low latency mastering grade converters
    • Two microphone preamps using technology from RME's Micstasy and UFX interfaces, including the AutoSet overload protection
    • Newly developed Hammerfall audio core, supporting maximum USB and FireWire performance and ultra-low latency operation, combined with excellent driver stability on both bus protocols
    • TotalMix FX software with the complete Fireface UFX DSP engine, including all effects up to 192 kHz
    • Monitoring Controller combines the flexibility of the TotalMix FX monitoring tool set and the optional remote control
    • Support for the Advanced Remote Control
    • DIGICheck metering and analysis toolbox for Windows and Mac
    • Active jitter suppression technology
    • SteadyClock allows for controlling the sample rate freely with a comprehensive choice of video and audio sample rates
    • ICC (Intelligent Clock Control) displays clock status and will also retain the last valid input sample rate in case of failure of the external source
    • SyncCheck offer a quick detection of clock problems
    • Coaxial S/PDIF input/output at up to 192 kHz sample rate
    • ADAT input/output expands the interface by eight channels, available simultaneously with the analog channels, or used as optical S/PDIF
    • ADAT supports sample rates of up to 192 kHz (S/MUX4)
    • Wordclock input and output (BNC) with switchable termination
    • Two high speed MIDI I/Os on breakout cable
    • Functions stand-alone •Full 192 kHz operation
    • Class compliant mode works with Apple's iPad for up to eight channel recording and playback
    • Half rack unit​

    Product Highlights : -

    • 18 Input/18 Output
    • 2 Mic/Line Preamps with Phantom Power
    • 8 Analog I/O
    • S/PDIF and ADAT I/O
    • Wordclock
    • MIDI I/O
    • TotalMix FX Software
    • Half Rack Enclosure
    • Mac OS X
    • Windows XP/Vista/7
    Learn More

    Out of stock

  • RME MADI-USB Madiface 64-Channel USB 2.0 Audio Interface

    RME MADI-USB Madiface 64-Channel USB 2.0 Audio Interface

    The MADIface USB provides MADI I/O over USB 2.0 while supporting the format's full 64 channels for recording and playback, under Mac and Windows. Both inputs can be used for full redundancy operation. Optionally both MADI I/Os can be operated simultaneously for full 128 channel input and output access, mixed and routed by TotalMix. Even without computer the small box delivers extraordinary bi-directional format converter and active repeater functionality.

    Its sturdy and bus-powered design makes it as easy to use as reliable in operation. MADIface USB is both MADI portability at its best as also a perfect desktop solution to connect MADI equipment to any Mac and PC. A real gem in flexibility, usefullness and trouble-free operation - as you expect it from RME.

    Like all the latest RME interfaces, the MADIface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The MADIface does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.

    For stand-alone operation the MADIface USB can be powered by any USB power wall wart or USB battery, like those for mobile phones and MP3 players. Without a computer host the device enters a pre-configured mode. Using one input the MADIface USB is clock slave, using the sample rate found at the input. AutoSelect is active, so either input can be used. The input's audio data is transferred to the outputs unchanged. The output format follows the input format (56/64 channel mode, 48k/96k Frame). Using two inputs Double Processing Mode becomes active, for two independent paths, including two SteadyClocks. The internal routing changes from parallel output to cross-coupled.

    Therefore in stand-alone mode the unit automatically operates as active repeater, effectively doubling the maximum cable length of 100 m coaxial and 2,000 m optical. With two inputs connected the unit works as bi-directional format converter, converting coaxial to optical and vice versa simultaneously. This is even possible when the connected device uses sample rate converters for independent clocking - the sample rate can be different in both paths.

    Thanks to a completely newly generated signal, jitter suppression by SteadyClock, and reclocking of the MADI output, the MADIface USB provides not simple but sophisticated format conversion.


    • MADIface USB offers several operation modes when used with a Mac or Windows computer: 64 Channel Mix, Redundancy mode, 128 Channel Mix and a straight routing mode.
    • The option Disable TotalMix completely disables TotalMix, the unit's flexible internal mixer and routing matrix. All input and output data is going straight to record/coming from playback, with no mixing or routing involved. In this mode the outputs are mirrored, carrying the same signal.
    • In 64 Channel Mix mode TotalMix shows 64 input, playback and output channels. All settings in TotalMix use the data from one MADI input port, and send identical data to both MADI output ports. The currently active MADI input port can be configured in the Settings dialog.
    • The option AutoSelect activates an automatic input selection. Using both inputs at the same time, AutoSelect puts the device into Seamless Redundancy mode. The MADIface USB will switch to the other input in real-time if the current one fails.
    • In 128 Channel Mix mode record and playback is still limited to 64 channels, with the current input selected in the Settings dialog. But the other input is also available through TotalMix, and the output signal is not mirrored, but separated, with TotalMix having 128 output channels. Applications like independent mix output, monitoring and serial pass-through of the second source are just a few clicks away.
    • SteadyClock as well as RME's well known MADI compatibility ensure hassle-free operation with other devices. MIDI over MADI technology may be used to remote-control other MADI devices. DIGICheck, an included complete audio analyzing suite, supports the user under Mac OS X and Windows.
    • Setting up delay-free submixes (headphone mixes). The MADIface allows for up to 32 fully independent stereo submixes. On an analog mixing desk, this would equal 64 Aux sends.
    • Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
    • Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
    • Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.

    • Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
    • Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.
    Learn More

    Out of stock

  • RME HDSP9632-E AIO PCI Express 38-Channel Audio Interface

    RME HDSP9632-E AIO PCI Express 38-Channel Audio Interface

    The RME HDSP9632-E AIO from RME is a PCIe Express audio interface for both Mac and Windows that makes the dream of an "all-in-one solution" for every possible audio application come true. Based on the HDSP 9632, the HDSPe AIO delivers significant performance gains in multi-track audio and lower latency.
    The card includes the latest 192kHz capable analog-to-digital and digital-to-analog converters with more than 112dB signal to noise ratio, with all inputs and outputs, including digital (and all available via included breakout cables) simultaneously operational.
    Easy-to-install optional high quality analog expansion boards, TotalMix software and a clock section with maximum jitter suppression of external clock signals all combine to provide a versatile and fully featured soundcard. RME's secure flash update technology allows for firmware improvements, adjustments and bug fixes to be installed easily at any time.


    • PCIe Express card for digital audio applications
    • Card functions in native PCI Express format with no PCI to PCI Express bridge used
    • 2 channels of unbalanced analog I/O with RCA connectors on breakout cable
    • Analog, AES/EBU, ADAT and SPDIF I/Os can be used simultaneously
    • All analog I/Os capable of 192kHz, across all available channels
    • ADAT digital I/O supportes sample rates up to 192kHz via S/MUX4 operation
    • Stereo headphone output utilizes separate digital-to-analog converter
    • All settings can be changed in real-time
    • Slave and master clock modes with automatic and intelligent master/slave clock control
    • TotalMix 760 channel mixer software for latency-free submixes and perfect ASIO direct monitoring
    • SyncCheck tests and reports the synchronization status of input signals
    • 16 channels high-speed MIDI
    • Optional Wordclock input and output
    • Optional analog expansion boards with 4 balanced inputs or outputs
    Learn More

    Out of stock

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Audio Interfaces